Podcast studios in Los Angeles, shot like broadcast television.
Four 4K Blackmagic cameras, live-switched through an ATEM, isolated to HyperDecks, mixed on a Rodecaster Pro, lit like a set. An LED volume in Hollywood, a green screen cyc in North Hollywood, and a mobile rig that drives anywhere in California.
Half-day minimum · From $200/hr on location · Same-day switched master
Shoot with us in Los Angeles — or let us build you a studio of your own.
Most podcast studios rent you a room. We run a control room — every session is operated by a crew that has cut live television, so the show is directed while you are talking, not fixed for three days afterward. And when a client wants that capability in their own building, we design it, build it and train their team to run it.
Multi-camera podcast studio
Two to four operated 4K angles, live-switched to a program master while every camera records clean and isolated.
- Host, guest, wide and roaming angles
- Program cut + ISO files on delivery
- Up to 4 people at the desk
Broadcast audio
Four-microphone Rodecaster Pro mix with per-guest isolated tracks, a shotgun mic on room tone, and a safety recording on every channel.
- 4 mics, individual WAV stems
- Shotgun mic capturing room tone
- Clean mix-minus for remote guests
LED wall & virtual sets
Put your show anywhere. LED volume backdrop, or green screen with live chroma key, AI-generated environments and real-time graphics.
- Branded environments per episode
- Live key — no post compositing wait
- Lower thirds, tickers, sponsor cards
On-location production service
The entire rig travels anywhere in California. Offices, conferences, homes, hotel suites, event floors — we build a control room wherever the guest is.
- Full camera, audio, light and switch flypack
- Statewide coverage — we drive, nothing ships
- Travel, transport and per diem billed separately
Livestream & simulcast
Push the program feed live to YouTube, LinkedIn, X and Twitch simultaneously, with a live comment moderator and on-air graphics.
- Multi-destination RTMP simulcast
- Live audience Q&A on screen
- Redundant bonded internet
Post, clips & delivery
Switched master within 24 hours. Full edit, chapter markers, captions and a vertical clip package on a weekly cadence if you want it.
- Color and audio sweetened master
- 8–12 vertical clips per episode
- Thumbnails, captions, show notes
Studio design & build
We design and build podcast studios inside client spaces — offices, agencies, campuses, brand HQs — so your team can shoot in-house without booking a stage.
- Room survey, acoustics and power planning
- Camera, lighting, audio and switching spec
- LED wall or cyc install and set design
- Installed, commissioned and signed off
Training & consulting
We train your team to run the room after we leave — switching, audio, lighting and workflow — and consult on format, budget and gear before you spend a dollar.
- Hands-on crew training on your own kit
- Format, budget and workflow consulting
- Written runbook for your operators
- Ongoing support and refresher sessions
Season days & series
Bank four to six episodes in a single ten-hour day with wardrobe changes between blocks — the cheapest way to make a show.
- 20% off multi-day bookings
- Standing-rate pricing for monthly series
- Consistent look across the whole season
Two Los Angeles stages — and a rig that drives the state.
We run our rig out of two partner stages — Studio 1143 in Hollywood and Arrow Studio Services in North Hollywood — or we bring the whole thing to you. Same crew, same gear standard, same delivery, whichever you pick.
Studio A — LED volume, 1143 Vine St, Hollywood
See the floor plan
Hollywood Stage — LED volume
In partnership with Studio 1143
Our Hollywood talk-show room. Curved LED wall, cinematic set lighting, controlled acoustics and an 8-foot jib on the floor — built for interview shows, brand series and anything that needs to look like it belongs on a network.
Room spec
- Cameras4 × 4K, operated or locked
- BackdropLED wall + set dressing
- Audio4 mics + shotgun · Rodecaster Pro
- LightingAperture · Nanlite · Kino
- Camera move8-foot jib on stage
- PrompterBroadcast teleprompter
- Best forInterview & brand shows
See the floor plan
North Hollywood Stage — green screen
In partnership with Arrow Studio Services
The bigger, more flexible box. Green screen cyc with live key, a space-light grid overhead and room to strike and rebuild a set between shows. Drive-up load-in and free parking for the crew.
Room spec
- Cameras4 × 4K + 6K Pocket
- BackdropGreen screen · live key
- Overhead8 × 2K space lights
- Audio4 mics + shotgun · Rodecaster Pro
- VirtualAI backgrounds & graphics
- Best forVirtual sets, multi-format days
On location — green screen, jib and live key, built on site
On location
Statewide — we drive, nothing ships
The whole control room in cases, anywhere in California. We scout the space, plan power and sound, build in the morning and hand you a switched master the same night. Ideal when the guest cannot come to you — executives, conferences, tours, event floors. LA the same week, San Diego to the Bay Area on a travel day.
Flypack spec
- SwitchingATEM · 4 × HyperDeck 12G
- SyncGenlock & timecode
- Cameras4 × URSA Mini Pro 4K
- SupportStands, C-stands, all cable
- LightFloTech · Nanlite · Aperture
- Crew2–5 depending on scope
The actual gear list. No asterisks.
Everything below is owned, maintained and in the room on the day — not sub-rented and not "available on request." Ask for something specific and we will tell you honestly whether we own it.
Camera
- 4×Blackmagic URSA Mini Pro — 4K digital film cameras, matched and color-managed
- 1×Blackmagic Pocket Cinema 6K — roaming, detail and B-roll angle
- 1×8-foot jib — in-studio crane moves, sweeping reveals and rising wides
- —Cine primes and zooms across the four positions
- —Tripods, C-stands and grip for every position
Switching & record
- 1×Blackmagic ATEM switcher — live program cut, keys, transitions, graphics
- 4×HyperDeck Studio 12G — isolated broadcast-grade recording per camera
- —Genlock and timecode distributed to every camera and deck — frame-accurate sync
- —Program + 4 ISO deliverables so post is never locked to the live cut
- —Multiview monitoring at the operating position
Audio
- 1×Rodecaster Pro — production console, live processing, mix-minus
- 4×Broadcast microphones on booms or desk arms
- 1×Shotgun microphone — room tone and ambience on its own track
- —Isolated WAV per microphone plus a safety mix
- —Headphone feeds for every seat off the console
Lighting
- 8×2K space lights — soft overhead ambience across the stage
- —Aperture key and fill fixtures
- —Nanlite RGB accent and practical lighting
- —FloTech soft sources for skin-flattering wraps
- —Kino fluorescents for classic broadcast soft light
Virtual production
- 1×LED wall — in-camera backdrop, branded per episode
- 1×Green screen cyc with live chroma key on the switcher
- —AI-generated backgrounds built to your brand before the shoot
- —Real-time graphics — lower thirds, sponsor cards, tickers
Support & infrastructure
- 1×Broadcast teleprompter with operator — scripted segments and sponsor reads
- —HD broadcast monitors at every operating and talent position
- —Multiple 65" displays for playback, guest reference and on-set content
- —All SDI, power and audio cable — nothing rented in on the day
- —Redundant internet and same-day media offload to redundant drives
Virtual production for podcasts — change the set between episodes, not between builds.
The wall and the key are driven live off the switcher, so what you see on the program monitor is what ships. A finance show at golden hour, a product launch inside your own store, a season three rebrand — all of it happens on the day, in camera, without a compositing bill.
- LED wall backdrops that react correctly to your set lighting — no flat green spill on the talent.
- Live chroma key on the green screen cyc, cut in real time so the guest sees the final look.
- AI-generated environments designed to your brand palette and approved before you arrive.
- Real-time graphics package — animated lower thirds, sponsor bumpers, topic cards, countdowns.
Podcast studio rates — crewed, switched and delivered.
Pick your camera count and your stage. Every rate includes the room, the gear, an operating crew and your media handed over the same day — nothing billed by the gigabyte, nothing billed for setup time.
Every rate includes
- The room, the gear and an operating crew
- ATEM live switch + ISO recording per camera
- 4 mics + shotgun on Rodecaster Pro, stems included
- Full lighting package and space lights
- Genlock and timecode across every angle
- Program cut + all ISO files, handed over same day
- Set-up and strike — never billed as shoot hours
- 8-foot jib available in studio
Stage A LED days include the wall, live chroma key, custom AI environments, a real-time graphics package and a dedicated virtual production operator.
Minimum booking — half day, 5 hours, at any camera count.
On location — travel, transport and per diem are billed separately and itemised on your quote before you book.
Check availability Or call (818) 720-325010% exclusive rebate with code STUDIO10 through December 31, 2026 · 20% off multi-day bookings · Half-day minimum — 5 hours · On-location rates exclude travel, transport and per diem · Series clients booking 4+ episodes a month receive standing-rate pricing.
Los Angeles studios. California-wide location service.
Book either stage and you are shooting in Los Angeles. Book the mobile rig and we drive to you — anywhere in the state, no freight, nothing shipped.
Greater Los Angeles
Both stages sit inside the studio zone, so most of the basin is a short drive. We shoot regularly across the Valley, the Westside and downtown, and a standard day rate applies anywhere in greater Los Angeles.
The rest of California
The full rig fits in cases and travels constantly. Beyond about thirty miles we add travel; San Diego, Santa Barbara, the Central Valley and the Bay Area are quoted with a travel day either side. Travel, transport and per diem are billed separately and itemised on your quote before you book — never after the shoot.
From first call to published episode.
Twenty-minute call
We talk format, guest count, look and cadence, then send a fixed quote — no discovery fee, no surprises later.
Set and graphics prep
Backgrounds, lower thirds and sponsor cards are built and approved before you arrive, so day one looks like episode ten.
Shoot day
Room is hot when you walk in. Cameras framed, mics set, levels checked. You sit down and start talking.
Delivery
Switched master within 24 hours, ISOs and audio stems alongside it. Edit and clips follow on your schedule.
Send us your material. Bring your certificate.
Two things make a shoot day run clean: we get your assets ahead of time, and your insurance is in hand before load-in. Both take about ten minutes.
Upload to your project folder
Once you book, we open a shared Google Drive folder in your show's name and send you the link. Drop everything in there — scripts, call sheets, reference, graphics, music, footage. No file size limits, no transfer service, no chasing attachments over email.
Name your folder like this so nothing gets lost:
- Scripts, rundowns and segment notes
- Call sheet and crew/guest list
- Reference and moodboard links
- Logos, lower thirds, sponsor cards
- Music beds and cleared audio
- Photos and footage to play back
- Client contact — name, email, phone
- Certificate of insurance (COI)
Insurance
Both partner stages require proof of general liability insurance before load-in. If you already carry production insurance, send the certificate. If you do not, a single-shoot policy takes a few minutes online.
- Where to get it: theeventhelper.com — short-term event and production liability, certificate issued instantly on payment.
- Name the venue as additional insured — Studio 1143 for Hollywood, Arrow Studio Services for North Hollywood. Ask us for the exact entity name and address before you buy.
- Check the limit your date requires. $1M per occurrence / $2M aggregate covers most bookings; higher limits are available if the venue asks.
- Send the PDF to your Drive folder at least 48 hours before the shoot.
- Coverage is between you and the insurer — we are not an agent and do not advise on policies. Read the exclusions before you buy.
Real days, real rooms.
Not renders. These are our stages and our crew, mid-shoot.
Straight answers.
How many people can sit at the desk?
Four comfortably, with a dedicated microphone and camera angle each. Five or more is possible — we reconfigure the set and bring in the 6K Pocket as a roaming angle, so tell us the headcount when you book.
What do I actually walk away with?
A live-switched program master, every camera's isolated 4K file, an isolated WAV for each microphone and a room-tone track from the shotgun mic. Your editor is never trapped inside the live cut — they can rebuild any moment from the ISOs.
Do you edit, or just shoot?
Both. Plenty of clients take the raw switched master and cut it in-house. If you would rather hand it off, we do full episode edits, captions, chapter markers, thumbnails and a vertical clip package on a weekly cadence.
How far will you travel for on-location work?
Anywhere in California — we drive, so there is no freight and nothing gets shipped. Greater Los Angeles is a standard day rate; San Diego, Santa Barbara, the Central Valley and the Bay Area are quoted with a travel day either side. Travel, transport and per diem are billed separately and itemised on your quote before you book.
What is the difference between the LED wall and the green screen?
The LED wall puts a real image behind you that your set lighting interacts with — nothing to key, no green spill, and the talent can see it. The green screen with live key is more flexible for wild environments and full-screen graphics, and it is also cut live so you approve the final look on the day.
Can you record a whole season in one day?
Yes, and it is usually the cheapest way to make a show. A full ten-hour day can comfortably bank four to six episodes with wardrobe changes between blocks. Ask about the 20% multi-day discount if you are shooting across several days.
Can you build a podcast studio in our office?
Yes — it is a growing part of what we do. We survey the room, plan acoustics and power, spec the camera, lighting, audio and switching package, handle the install and commissioning, then train your team to run it. Budgets vary with room size and whether you want an LED wall, so it starts with a site visit.
Will you train our team instead of crewing it ourselves?
We do both. Plenty of clients book us to operate; plenty want their own people running the room by episode five. Training is hands-on, on your own kit, and we leave a written runbook so a new hire can pick it up without calling us.
What is the minimum booking?
A half day — five hours — at any camera count and on any stage. That covers set-up, the shoot and strike; we never bill set-up as shoot hours.
Tell us about the show.
Send the format, the headcount and roughly when you want to shoot. You will get a real quote and a hold on the calendar — usually the same day.